The phenomenological nature of the fundamental

Phenomenological solution to the quantum question: The third reduction[1] applied to the double and simple slot experiment
Postulates
1. At the level of fundamental particles, quantum phenomena are phenomenological events or saturated phenomena[3].
2. Reversal of the privilege of the cause in favor of the effect: the effect as an event saturates the meaning and expands the limits of the phenomenality of the invisible[4].
3. Saturated phenomena are subtle substances, subtle substances are not discontinuous but continuous waves.
4. At a fundamental level there is no matter, but waves: subtle saturated[5] substances are waves.
5. There is no duality in matter at the fundamental level. The mélange of continuous / discontinuous, corpuscular / wave, determinism / indeterminism is the way we perceive matter: what is fundamental is unity.
6. In the experiment:
a) From the double slot: the photon is not a material thing, but a saturated subtle substance[6]. The natural state of a saturated phenomenon is diffraction and vibration.
b) With a single slot: the photon, diffracts before reaching the slot.
c) With two slots: the saturated phenomenon (photon) is diffracting before reaching the slot[7].
7. Each saturated phenomenon is a wave source with infinite corpuscles (subtle substances) that in turn have wave sources. This propagates to infinity.
8. The Principle of Universality is Donation[8], Donation breaks[9] in at the moment of the Big Bang[10].
9. The subtle saturated substances (waves) are born in the irruption of the Donation (Big Bang).
10. The subtle saturated substances (waves) emerge from the irruption of the Donation, they carry the information of all existence.
General objectives
–Show quantum phenomena as phenomenological events.
–Show that at a fundamental level there is no matter like the one we perceive at a macro level.
–Show that perceived reality is the result of the interaction of waves.
Specific objectives
–Apply the third phenomenological reduction of Marion[11] to show that the quantum event is a saturated phenomenon.
–Displace the categories of the saturated phenomenon to a science object.
–Analyze the impact of the investment of the privilege of the cause in favor of the effect.
–Analyze Donation as a Universal Principle of Quantum Causality.
Central hypothesis
Is it possible to apply the third reduction to the simple double slot experiment to try to give a phenomenological solution to a problem in quantum physics?
Could the third phenomenological reduction be applied to superposition and entanglement or implexion[12], taking into account that the reduction makes visible phenomena that without it would have remained inaccessible?
Sub–hypothesis
What is the real, the solid world or multiple probabilities?
How is the discussion on scientific realism?
Is there a correspondence and convergence between the plane of quantum events and the phenomenology of the saturated phenomenon?
How is access to new phenomena?
Methodology
This investigation will require a conjunction of two methods. The Phenomenological–Hermeneutic and Conception: Theory 𝐶 − 𝐾 by Armand Hatchuel will be used.
(i) The Counter–Transcendental Phenomenological.
In a radical reduction we will try to put the phenomena in parentheses (in suspense) in order to eliminate the accessory and thus purify theories of prejudices; the immediate effect of this action allows us to preserve the phenomenon in all its purity. The third phenomenological reduction is the Donation[13] counter–transcendental that gives the possibility of the appearance of the saturated phenomenon. This amplifies the concepts and allows us to speak of categorical and universal intuition, that is, the unconditional primacy of the Donation of the phenomenon. Thus, the appearance is accessed, the phenomenon manifests itself because the reduction suspends the falsehoods of the natural world. Precisely the value of phenomenology is to give completeness to the description of quantum phenomena, achieving its legitimacy by making visible events that without it would have remained inaccessible. In other words, phenomenology has the objective of accessing the appearance, transgressing the perceived impression of the thing itself, that is, of what is given, and not of subjectivity; in this way the phenomenon manifests itself. Thus, the turn goes from show to show.
Hermeneutics, the art of explaining, translating or interpreting or the theory that interprets philosophical, artistic and sacred texts, has been extended to any type of humanistic object, in this case to the new phenomena discovered by physics. Hermeneutics came to play in the last quarter of the twentieth century a general philosophical position that has often been designated as koine, it attempts to decipher the meaning behind the word and the exegesis of reason itself on the meaning, written, verbal communication, and non–verbal, taking into account the need for a new language in the light of discoveries from contemporary physics that question objectivity, showing that the summoned subject cannot be separated from the object. Science cannot solve, yet, the question of the interaction of the observer in the measuring devices in the micro world; hence a possible solution is to reinterpret quantum phenomena as phenomenological events.
Hermeneutics makes us see and understand the event from multiple interpretations in which it is phenomena.
(ii) The Conception: Theory 𝐶 − 𝐾 by Armand Hatchuel.
The central proposition of the CK theory (they correspond to the abbreviations of the English words ‘concept’ concept and ‘knowledge’ knowledge) is found in the formal distinction between concepts and knowledge, creative thinking and innovation are issues that are part of design .
𝑲 is the ‘knowledge space’: propositions that have a logical status.
𝑪 is the ‘concept space’: set of propositions that have no logical status in 𝑲.
The 𝐶 − 𝐾 theory or concept–knowledge theory is both a theory of design and a theory of reasoning in design. Defines design reasoning as a logic of expansion processes, that is, a logic that organizes the generation of unknown objects. The theory is based on systemic, axiomatic designs, theories of creativity and models of artificial intelligence. The design process generates the co–expansion of spaces, concepts and knowledge through operators, in the expansion process the concepts generate other concepts or are transformed into knowledge.
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They are phenomena which do not submit to the analogies of perception, they thus acquire the character and the dignity of an event. The event cannot be predicted from the past, it cannot be understood from the present and it cannot be reproduced from the future; it is therefore pure, absolute and unique. ↑